在新疆歌剧团来京以前,我曾在乌鲁木齐看过演出。那是在已经演了一百四十多场以后,我见剧场外还是站着不少等待退票的群众。据说,如果适应全自治区群众的要求,需要连续再演两年。为了满足听众的渴望,新疆广播电台经常播放这一歌剧的录音,有的地方的半导体收音机竟因此被抢购一空。当我们有的地方的歌剧正遇到上座不佳、感到“危机”、寻找出路的时候,探讨一下这一歌剧的经验,可能有助于歌剧的发展。 Before the Xinjiang Opera Troupe came to Beijing, I had seen the performance in Urumqi. It was after more than 140 games have been played, I saw a lot of people standing outside the theater waiting for the refund. It is said that if the requirements of the autonomous regions and municipalities to adapt to the needs of two consecutive years of rehearsal. In order to meet the audience’s desire, Xinjiang radio stations often play the recording of this opera, and in some places, the semiconductor radios were sold out. When the opera in some of our places is experiencing poor seating, feeling “crisis” and looking for a way out, exploring the opera’s experience may help the development of the opera.