假“隐”真“现”——戴继民先生的这组影像大致可分为三类:一是依稀可辨人的活动体态类,二是人景交融无形流变类,三是单纯印迹类。如果就目前影像作品推测其创作方法,可以看到作者在虚实的运用中更加注重了对虚的运用,应该还有叠像,还有相机晃动,还有彩色与黑白的转换,还有影调的处理,抑或还有我想不到的手法…… This group of images of Mr. Dai Jimin can be roughly divided into three categories: one is the vague state of human activity body type, the other is the blending of human landscape invisible rheology class, the third is Simple imprinting class. If we speculate on the methods of creation for the current video works, we can see that the authors pay more attention to the application of virtuality in actual and actual use. There should also be stack images, camera shake, color and black-and-white conversion, The treatment, or what I can not think of ...