詞之爲詞在其體。詞體之犯,具有音樂上‘犯調’和文體上‘犯它詞句法’二種基本意義。前者包括犯調、轉調,主要由於詞調音律的變化造成詞體的某些改變,非創新體;後者又稱集詞,主要采用聯綴和疊加二種方式構成新詞體。從文體形態考察,自度曲雖創新體,但因不詳其詞格構成,故仍從宋人,視爲犯調;集句體恪守詞調舊格,援引前人成句以達意,屬於内容表達的組合再創造;集詞則是在既有詞牌基礎上精巧構思,創製新調,表情達意。集詞對後世南曲集曲和北曲帶過曲的形成具有重要影響。 Word for the word in its body. The guilty consonant has two basic meanings of “guilty” in music and “guilty of sentence” in style. The former includes commutation and transfer, mainly due to the change of phonetic tone resulting in some changes of the modality and the non-innovating body. The latter is also called episode, which is mainly composed of conjunctions and overlays. From the perspective of style and form, though self-allusion is an innovative body, it is still considered an offense for the Song people because it is composed of unknown characters. Combination of re-creation; Ji-Ci is based on both the existing concept of sophisticated conception, create a new tune, expressive. The episode has an important influence on the formation of the Southern Songs and the Northern Songs.