上海市文物管理委员会常务副主任,上海博物馆馆长陈燮君的西藏文明水墨写真正在西藏博物馆展出,本刊封二特别推出其中三幅作品以遥相呼应。不仅仅因为陈燮君是著名的社会科学家、艺术家,也许因为他作为一位文物、博物馆的管理者,他眼里、他笔下的文化遗产才如此绚丽多彩,如此饱满丰富,如此酣畅淋漓。也许惟如此才足以表现文物的内涵。至少,从视觉的角度与本刊着力发掘文物文化、文物艺术的追求相应合。不论是关注、发现,还是探索、研究,本刊对文化遗产的观照力求深些,广些,博些,饱满些,丰富些,多姿多彩些。如本期《滇在青铜时代》,关注的就不只是一时一地一物的发现,而是一个文化系 Shanghai Municipal Cultural Relics Commission executive deputy director, director of Shanghai Museum Chen Xie Jun Tibetan civilization ink paintings are on display at the Tibet Museum, published in two special seal three of these works echoes. Not only is Chen Xiejun a famous social scientist and artist, but perhaps because of his work as a cultural relic and museum manager, his cultural heritage is so colorful and full of richness and delight. Perhaps only enough to show the cultural connotation. At least, from a visual point of view and our efforts to uncover cultural relics, art and cultural pursuit of the corresponding combination. Regardless of concern, discovery, or exploration, research, the magazine on the cultural heritage of the deeper, more broad, rich, rich, more colorful. If this issue of “Yunnan in the Bronze Age,” the concern is not just the discovery of a thing, but a Department of culture