吴冠中一生致力于油画、民族画与国画现代化的理论与创作,不论是他的水墨画还是油画创作都体现了极强的形式美感,充分运用绘画本体语言,如点线面、黑白灰、构图色彩肌理、笔触等来表现他对客观世界的感受和自身情感。 Wu Guanzhong devoted his life to the theory and creation of the modernization of oil painting, national painting and traditional Chinese painting. Both his ink painting and painting creation embody the strong sense of form and aesthetics, make full use of painting ontology language such as point line surface, black and white ash, composition color texture , Brushstrokes to show his feeling of the objective world and his own emotions.