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生宣纸的广泛使用,写意和泼墨画法的产生在发展了中国画的同时也产生了它的负面——色墨减退现象。 色墨减退现象是当代中国画家常见的而又苦恼的事情。本来画时是一幅笔墨生动墨色变化十分丰富的画面,一但干后就会变得晦暗,无法保持水湿状态下的鲜明效果。古人发明的装裱技术,原意是对画面进行装饰,使之便于悬挂欣赏和保存。到了明以后生宣纸的逐渐广泛使用,装裱的作用除上述之外,又客观地起到了部分
The widespread use of raw rice paper, the creation of freehand brushwork and the development of the ink painting method resulted in the negative appearance of the Chinese painting - the decline of the color ink. The phenomenon of diminishing color ink is a common and distressing thing for contemporary Chinese painters. Originally painted is a very vivid ink color changes very rich picture, but after doing it will become dull, unable to maintain the distinct effect of water under wet conditions. The invention of the ancients mounted technology, the original intention is to decorate the picture so that it is easy to enjoy hanging and preservation. To the Ming and later the widespread use of raw rice paper, mounting the role of addition to the above, but also objectively played a part