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许多文章在谈到戏曲跟不上时代发展的步伐,难以适应当代观众的审美心理和需求,跌入低谷,呈现出萧条景象这个问题时,把“节奏太慢”列为一大罪状。乍一听去,似乎倒也言之有理,实则大谬不然,越说越糊涂,不仅无助于找出问题的症结和解决办法,反而把基本概念都搞乱了。节奏,本来是一个音乐术语,指的是在一首(部、段)乐曲中,长音和短音,慢音和快音,弱音和强音,低音和高音有组织地
When talking about that drama can not keep pace with the development of the times and can not adapt to the aesthetic psychology and needs of contemporary audiences, many articles list “rhythm too slow” as a major culprit when it comes to the bottom and presents the phenomenon of depression. At first glance, it seems that it is fair to say it is reasonable, but in reality it is not easy to say that the more confused it is, the more it will not help finding the crux of the problem and solutions, but will confuse the basic concepts. Rhythm, originally a musical term, refers to the long and short, slow and fast, weak and strong, bass and treble organized in a single song