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随着现代科技的大力发展和生活节奏的加快,并伴随着大众消费文化的崛起,在国内出现了一种新的文化热潮——“读图时代”的来临。“读图”标志着现代文化从印刷术时期的“概念文化”到机器工业时代的“视觉文化”再到现在“读”“看”的一种回归与融合。电影在这个环境下首当其冲,“图解电影”也越来越多地进入到人们的视野中并被大众所接受甚至追捧、喜爱。本文将从电影本体论角度出发,解释“图解电影”的内涵、形式与流变,试图探寻“图解电影”的本性,以期对该文化形式做出判断、评价与反思。
With the vigorous development of modern science and technology and the accelerating pace of life, along with the rise of the mass consumer culture, a new cultural craze has emerged in the country - the advent of the “era of the graphic age”. “Reading Figure ” marks a return of modern culture from “Conceptual Culture ” in the period of typography to “Visual Culture ” in the machine industry era to the present “Reading ” “See Fusion. Films are the most important in this environment. More and more ”illustrated movies“ are also accepted by people and are even loved by the public. Based on the theory of cinema ontology, this article will explain the connotation, form and evolution of ”cinema“ and attempt to explore the nature of ”cinema" so as to judge, evaluate and reflect on this civic form.