在不久前开幕的《木兰舟:文明漂流》艺术展上,我看到在展厅的醒目位置,悬挂着两件陈铸的系列作品《大道无极》,这两件作品给我留下很深的印象。一是这两件作品具有一定的体量,大漆的红色基调在展厅中特别吸引观者的视觉;更重要的是,这两件作品在绘画材料的探索方面,具有某种探索和实验的性质,凸显了陈铸个人对综合材料绘画的思考和理解。综合材料绘画在中国出现的时间虽然不长,但近年来,综合材料绘画可以说是风起云涌,得到了艺术 At the recent exhibition “Mulan: Civilization Drifting”, I saw two prominent pieces of Chen Zhu’s series “Promise of Promise” in the prominent position of the exhibition hall. These two works left me deep impression. First, the two works have a certain amount of body mass. The red tone of lacquer particularly appeals to the viewer’s vision in the exhibition hall. More importantly, these two works have some exploration and experimentation in the exploration of painting materials Nature, highlights Chen cast individual thinking and understanding of composite materials painting. Although the time for composite material painting in China is not long, in recent years, the composite material painting can be described as surging and has gained an artistic