论文部分内容阅读
“蒋瑞明淮安人,南京大学2013级艺术硕士,师从聂危谷教授,副高级职称。”以苏轼、米芾为代表北宋的尚意画风,反映出宋代文人对内心和世界的双重观照,其图式语言拉开了“形”和“意”之间的关系,其文人写意精神影响深远。我在山水画创作中,认同并借鉴北宋文人画“平淡中和”的画境,突出在画面中营造出“淡”、“润”、“清”、“厚”的山水意象。“淡”即平淡,所谓“平淡天真”。平淡天真是文人画的灵魂所在,既是观照世界的方式,也是淡然从容的创作心态,同时还是视觉呈现方式。我的创作着力呈现平淡天真的意趣,将自然山水物象转化为自我性情抒写的笔墨山水意象,脱略形似而重意趣表达,努力营造平和、安逸、淡雅、质朴的画面意境。
“Jiang Shui-ming Huaian, Master of Arts 2013 from Nanjing University, under Professor Nie Dangu, deputy senior title.” Su Shi, Miriam represented the Northern Song’s style of painting, reflecting the Song Dynasty literary to the heart and the world Double view, the graphic language opened the relationship between “form ” and “meaning ”, the literati freehand influence far-reaching. In the creation of landscape painting, I recognize and draw lessons from the paintings of the Northern Song Dynasty literati “Bland and neutral ”, highlighting the “light ”, “Run Landscape image. ”Light “ that is plain, the so-called ”plain naive ". Bland innocence is the soul of the literati painting, both a way of looking at the world, but also indifferent creative attitude, but also visual presentation. My creative works focus on plain and innocent interest, transforming the natural landscape into an expression of ink and wash with self-nature, depicting out of shape and expressing her interest, trying hard to create a peaceful, cozy, elegant and simple artistic conception.