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新世纪以来的中国战争电影,在产业化发展和市场化生存的大背景下,应用时代观念、商业片策略和最新技术,创作出一系列影响广泛、形态各异的优秀作品。从影片《集结号》率先破冰开始,“中国战争电影”的概念逐渐走出“题材”的界定,而进入“类型”的范畴,在弘扬主流意识形态的宣传效果、批判战争反思人性的人文诉求和营造视听奇观的商业趣味之间,逐渐寻找到兼顾共生的有效策略,并在谍战片等子类型的创作取得突破性拓展。
Since the beginning of the new century, Chinese war films have created a series of outstanding works with various influences and varied forms, applying the concept of the times, the strategy of business films and the latest technologies under the background of industrialization and market-oriented survival. Since the film “Assembly” took the lead in breaking ice, the concept of “Chinese war movies” gradually went beyond the definition of “subject matter” and entered the category of “type”. While propagating the propaganda effect of the mainstream ideology and criticizing the war Between the humanistic appeal of reflection on human nature and the commercial interest of creating a spectacle of spectacle, we gradually find effective strategies that take into account symbiosis and have achieved a breakthrough in the creation of sub-genres such as spy war films.