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我们外行人看戏,往往看到的都是舞台中央演员的精彩表演,而忽略了舞台表演时戏曲乐队所起的作用。殊不知,戏曲戏曲,有戏必有曲,戏是本,曲是魂。在戏曲乐队中,司鼓占了很重要的角色,它是戏曲乐队的指挥,舞台节奏的主宰者。因而,演员演出的成功与司鼓的作用是相辅相成密不可分的。司鼓在评剧艺术中有三个身份,一个身份是乐队的演奏员;一个身份是乐队的指挥者;再一个身份是全剧演出节奏的把握者,也可以说,司鼓是戏曲演出的灵魂。戏曲界中有这样四句谚语:“头板要紧、二板要准、三板要稳、散板不散”。它准确而又形象地描述了各种曲体的节奏线条。今天以传统古装评剧《状元与乞丐》为例,就我多年以来担任司鼓伴奏职务所积累的经验和体会,共同和大家探讨一下;司鼓在舞台戏曲的表演过程中,都起到了哪些作用。
We are watching lay-people, often see are the central acting stage performances, and neglected the stage play opera band role. As everyone knows, opera drama, opera must have a song, the opera is the song is the soul. Secretary in the opera band, the drum plays a very important role, it is the director of the opera band, the rhythm of the stage master. Thus, the success of an actor’s performance is closely related to the role played by the Secretary. The Siu drums have three identities in the art of Pingju opera: one is the band’s performer; the other is the band’s conductor; and the other one is the master of the show’s performance, or it can be said that the Siu drum is the soul of the performance of the opera. There are four proverbs in the opera world: “The headboard is important, the second board is the right one, and the third board is stable. It accurately and vividly describes the rhythmic lines of various melodies. Today, taking the traditional costume drama ”champion and beggar" as an example, I have discussed with you a lot about the experience and experience I have accumulated as a drummer accompaniment for many years. What role has the Secretary drum played in the performance of stage drama? .