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60年来,内地电影输入香港的策略及其在香港的影响经历了四个发展阶段。内地电影输港的考量标准由政治唯一逐渐演变为经济为主,而且政治唯一的时期,在“文革”前后也显示出了不同的策略;内地电影在香港的影响也经历四次变化,深刻体现出了港人的社会心理和香港社会的文化、审美变迁。在两地合拍互动尤其是大片合拍的高层互动日益强化的今天,内地输港影片的数量和影响力都出现了前所未有的萎缩,这种互动不平衡的现象应当引起两地影人的深切关注。
Over the past 60 years, the Mainland film’s strategy of entering Hong Kong and its impact in Hong Kong have gone through four stages of development. The criteria for the determination of the Mainland’s film exports to Hong Kong have gradually evolved from a political one to an economic one, and the only period of politics shows a different strategy before and after the Cultural Revolution. The Mainland film’s influence in Hong Kong has undergone four changes. It profoundly reflects the social psychology of Hong Kong people and the cultural and aesthetic changes in Hong Kong society. As the interactive high-level interaction between the two places, especially the large-scale high-level interaction, has intensified today, the number and influence of Hong Kong-imported films on the Mainland have witnessed an unprecedented decline. Such imbalanced interaction should arouse the deep concern of the moviegoers from both places.