道家音乐美学思想以“静、淡、远、虚”为特征,对中国传统音乐特别是文人音乐具有深远的影响。古琴音乐作为文人音乐的重要组成部分,从含蓄、内敛而具空灵之美的音色,音乐的细部特征、乐曲结构、演奏手法,琴曲的立意及其所体现的虚实相生、追求意境的美学况味,文人追求自我精神解放和人格独立的操琴方式等方面,集中体现了“静、淡、远、虚”的审美观和意趣追求。 Taoist music aesthetics is characterized by “static, light, far, empty ”, which has a far-reaching influence on Chinese traditional music, especially scholarly music. Guqin as an important part of the literati music, from the subtle, introverted and ethereal beauty of the timbre, the details of music features, composition of music, playing techniques, the conception of music and its embodiment of the actual situation, the pursuit of aesthetic taste, The pursuit of self-liberation and independent practice of piano style and other aspects of focus, reflects the “quiet, light, far, empty,” the aesthetic and the pursuit of fun.