从东汉后期到三国两晋,在铜镜制作工艺上又进入了一个新的发展阶段,一种由禽兽带纹镜演变出来的浮雕画像镜成为当时的代表作。特别是常见的神活故事以及神人车马题材的流行,成为当时铜镜的突出特征。所谓神人,指的是古代道家思想中得道而神妙莫测的人。《庄子·逍遥游》云:“至人无己,神人无功, From the late Eastern Han Dynasty to the Three Kingdoms and Jin dynasties, copper mirror production process has entered a new stage of development, a kind of relief from the mirror with a mirror evolved portrait portraits as the then masterpiece. In particular, the common life story of God and the prevalence of the subject matter of the gods became the outstanding features of the bronze mirror of the time. The so-called god man, referring to the ancient Taoist Taoist and unpredictable people. “Zhuangzi Getaway” goes: "No man, man without power,