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中国戏剧界熟知的三大戏剧体系之一,就是布莱希特戏剧体系。我国在三十年代和四十年代有过一鳞半爪的介绍,自五十年代,特别是近年来,由于中国青年艺术剧院《加利略传》和《高加索灰阑记》的演出,尤其是一九七九年《加利略传》连续演出八十场,场场暴满,布莱希特的名字不胫而走,已为中国观众所知晓。布莱希特(1896—1956)确是二十世纪德国以至于世界闻名的伟大戏剧家、诗人、戏剧改革家,一位具有深刻哲学思想和艺术创新的大师。但是艺术的生命在于创新,任何艺术永远不会停留在原有的水平上,后人继承前人的事业,也必会在前人事业的基础上进一步创新。在民主德国以及联邦德国,布莱希特的名字和他的戏剧是永远不会泯灭的。然而,即使在民主德国,尽管剧院仍不断演他的戏,但人们的喜爱程度已为一些后起戏剧家们所代替。那么布莱希特之后,民主德国到底有那些重要的戏剧家?他们的名字大概应该是海纳·米勒、彼得·哈克斯、赫尔姆特·贝厄尔、福尔克
One of the three major theater systems well known in the Chinese theater industry is the Brecht theater system. In the 1950s and especially in recent years, as a result of the performances of the Gallilios and the Caucasus Texts of the China Youth Theater of the Arts, especially in the 1930s and 1940s, In 1979, the Galilean Biography delivered 80 performances in a row. The field was full and Brecht’s name spread like wildfire. It has become known to Chinese audiences. Brecht (1896-1956) is indeed a great dramatist, poet and theater reformer in the 20th century Germany and even in the world. He is a master with profound philosophical thoughts and artistic innovations. However, the life of art is innovation. Any art will never stop at its original level. If future generations inherit their predecessors ’career, they will certainly make further innovations on the basis of their predecessors’ career. In Democrat Germany and in the Federal Republic of Germany, Brecht’s name and his plays will never go away. However, even in the democratic Germany, even though the theater continues to play his role, the popularity of the people has been replaced by some later dramatists. So Brechtian, Democracy in the end there are those important playwright? Their name probably should be Heiner Miller, Peter Haquez, Helmut Beier, Falk