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画家心语我认为,中国画家很善于在相互对立排斥的矛盾中求得和谐,不像西方绘画喜欢寻求对立和极端:抽象一味抽象,具象就是具象。中国人喜欢在两极之间思辨,在两极之间做大千文章,善于开发宽阔、深远、包容性极强的中间地带。我把重彩与写意相结合,一是个人的喜好使然,二是感到中国画需要一种恢宏的气势,简括夸张具有神韵的写意造型和写意笔法,加上充满魅力的重彩材料的精雕细镂和淋漓挥洒,定会产生一种新气象,这正是我努力探索重彩写意的原因所在。
Painter’s Voice I think that Chinese painters are very good at seeking harmony in contradictions that oppose each other’s exclusion, unlike the Western paintings that seek to oppose and extremist: abstraction is abstract, figurative is figurative. Chinese like to think between the poles, make thousands of articles between the poles, and be good at developing a broad, far-reaching and inclusive middle ground. I put the heavy color and the freehand brushwork, one is the personal preference, the second is that the Chinese painting needs a magnificent momentum, a brief exaggeration with the charm of the freehand styling and freehand brushwork, coupled with the charm of the colorful materials and carving It is the new reason why I try my best to explore the most colorful and freehand style.