本文试图解读图像的多义性,以及多义性被运用在艺术中的方式方法,来试图寻找它在艺术图像应用中的一般规律。通过图像多义性的演变过程和本人多年的创作实验实践来发现它对绝版木刻版画创作的启发性作用,希望寻找新的版画语境,可以对以往版画创作过程和表现技法的局限性有所突破,使其更能充分直观地体现出艺术家本身的观念想法。 This article attempts to interpret the image ambiguity, as well as the ways in which polysemy is used in the art, in an attempt to find its general application in the art image. Through the evolution of image ambiguity and my many years of creative experiment and practice, I found out that it has an enlightening effect on the creation of out-of-print woodcut prints. I hope to find out the new printmaking context, which can limit the creative process and performance techniques of previous printmaking Breakthrough, to make it more fully and intuitively reflect the artist’s own ideas and ideas.