建筑与音乐都是关于时间的艺术,随时间变化的感官信息序列在大脑的识别处理下,形成令人满足的审美经验是它们其同的特点。关于建筑与音乐的联系,借喻式的叙述已经很多,我们在此无意重复。抛开所有借喻的成分,如果以时间为基准,来对建筑和音乐的形式合成进行结构性的观察,可以发现一些共通的模式。第一种模式是填充性的模式,或者说,建筑形式或音乐形式在既定内容的引导下,对既定的时间进行有明确目的的填充。在音乐中,这种模 Architecture and music are all about the art of time. The sequence of sensory information over time is characterized by the formation of satisfying aesthetic experience under the identification of the brain. With regard to the connection between architecture and music, there are already many narratives that we have no intention to repeat here. Disregarding all the components of the metaphor, one can find common patterns if we take a time-based look at the structural observations of the formal synthesis of architecture and music. The first model is a stuffed model, or, in the form of an architectural or musical form, with a defined purpose of filling a given time, guided by a given content. In music, this model