谢灵运的诗以情感的方式摹山状水,重启诗歌的抒情性,再次体现出“人”的主体性。把人的情感寄寓山水之间,一方面他们在有意寄托,另一方面又无意间不自觉的抒情。这种不自觉的抒写,与作者的写作初衷是有距离的,这一距离恰是中国诗人思想境界、审美趣味的不自觉提升的高度。 Xie Lingyun’s poems imitate mountains and rivers in the way of emotion, restart the lyricism of poetry, and reflect the subjectivity of “people ” again. Send people’s feelings between the landscape, on the one hand, they are interested in pinning, on the other hand inadvertently unconscious lyric. This unconscious expression, and the original intention of the author’s writing is a distance, this distance is exactly the ideological level of Chinese poets, aesthetic taste of unconscious ascension height.