意象是主观世界和客观世界结合的产物,是文人的心灵图像与情感表象。桃花意象自《诗经·周南·桃夭》诗中歌咏新婚女子之娇媚可人起,即活跃出一股鲜活的生命力,于古典诗词中积淀出深刻的文化意涵,流传久远。本文拟从元词中探索桃花意象如何上承《诗经》时代的原型意象,继而渊源自汉唐两宋桃花文化的涵养与内蕴,在咏桃词中所体现出的特殊的文化意涵。 Imagery is a combination of the subjective world and the objective world. It is the spiritual images and emotional images of the literati. Peach Blossom Image From the poem “The Book of Song Chou Nan Tao Yao” singing the newly married woman’s lovely, that is active out of a fresh vitality, in classical poetry has accumulated profound cultural connotation, long-standing. This article attempts to explore how the image of peach inherits the archetypal image of the era of the Book of Songs from its metaphors, and then comes from the conservation and connotation of the peach culture in the Han and Tang Dynasties and the special cultural connotations embodied in the poems.