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鲁迅作品常呈现表面的喜剧性和深层悲剧性的状态,这一点在个体和群体的关系上体现的尤为明显。鲁迅小说的主人公多处于他人的窥视之下,具有变质功能的群体目光,经过有色透视,赋予个体人物的悲剧性或正剧性(言说的本质)以滑稽的色彩,使个体成为了被动与群体隔绝的孤独者,将个体拉人了“孤独者(牺牲)-狂欢-看客”的意象模式。个体追逐着与群体的和解,群体却不断地将其驱逐出境,由此,两者形成了认识悖谬与互视错位,这种现象的产生有其深隐的潜意识动因--对权势的崇拜与对生存本能的妥协。
The works of Lu Xun always show the superficial comedy and deep tragedy, which is especially evident in the relationship between individuals and groups. Under the peep of others, the protagonists in Lu Xun’s novels often look into the group with the metamorphic function. Through the tinged perspective, the tragic or dramatic character (the essence of the speech) given to individual characters makes the individual become passive and group isolated Of the loner, pulling the individual into the “lonely (sacrifice) - carnival - spectators” image mode. The individual pursues the reconciliation with the group, but the group continually expels it. Therefore, the two forms a misunderstanding of understanding and interdependence. This phenomenon has its own deep subconscious motivation - the worship of power and A compromise on survival instincts.