同构表意--知觉视阈下两宋山水画的四级编码对当代设计的启示

来源 :第五届东方设计论坛暨2019 东方设计国际学术研讨会 | 被引量 : 0次 | 上传用户：yyj1234567890

【摘要】

：

基于认知学和符号学理论,对269幅宋代山水画进行内容分析,从视觉符号、视像结构、视觉思维角度提炼宋代山水画的特征,从S1意象(schema)、S2构图(composition)、S3情感(emotion)、S4心象(mind)四个层面进行解码,分析中国艺术的同构表意模式和知觉循环圈,其艺术元素的安排方式、隐喻特征,其“观物以理”“心物化一”“山有三远”“林泉之心”对应中国人的知觉方式和认知习惯,并

【作者】

：

岳鸿雁李钢唐诗毓

【机构】

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上海交通大学设计学院

【出处】

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第五届东方设计论坛暨2019 东方设计国际学术研讨会

【发表日期】

：

2019年8期

【关键词】

：

当代设计山水画四级编码同构表意知觉循环圈

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同构表意--知觉视阈下两宋山水画的四级编码对当代设计的启示

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