上世纪80年代初,刚开启的中国改革开放之门,迎来了英国伦敦莎士比亚剧组,他们在南京演出《第十二夜》后,江苏省昆剧院尽地主之谊,为远方来客演出了《盗甲》、《杀惜》、《题曲》、《痴梦》四出折子。剧终,客人登台向演员致谢交谈。英方导演约翰·弗雷泽问一位主要演员:“为什么这四出戏前后风格、方法不一样?” In the early 1980s, just opened the door of China’s reform and opening up, ushered in the London, Shakespeare, London crew, who performed in Nanjing, “Twelfth Night,” Kunqu Opera Theater in Jiangsu Province to make landownership for the far guest performances “ Pirate ”,“ kill ”,“ title ”,“ crazy dream ”out of four breakout. End of the show, the guests on stage to thank the actors talk. British director John Fraser asks a major actor: “Why are these four play styles, methods are not the same?”