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作为新石器时代的典型器物——陶器,特别是彩陶,以其多变的形制和绚丽的色彩昭示了先民丰富的内心世界。蛙纹是马家窑文化中晚期彩陶的代表性纹饰之一,它在马家窑文化的纹饰演变中很具有代表性。我们可以尝试,通过对马家窑文化蛙纹演变的研究,再现史前先民信仰的变迁。在此我们按照马家窑文化发展的序列,结合不同时期蛙纹的演变。结合自然环境的变化,从认知考古学的角度解析马家窑人对自然、社会和人类自身的思考,揭示在史前文化发展延续的过程中,古人思想观念的历史变迁。
As a typical Neolithic artifact - pottery, especially painted pottery, with its varied shape and brilliant colors show the ancestors rich inner world. Frog pattern is one of the representative ornamentation of late pottery in Majiayao culture. It is very representative in the evolution of the ornamentation of Majiayao culture. We can try to reproduce the changes of pre-historic ancestors’ faith through the research on the evolution of Majiayao’s cultural frogs. Here we follow the sequence of the development of Majiayao culture, combined with the evolution of frog at different periods. In the light of the change of the natural environment, this paper analyzes the thoughts of nature, society and human being of Majiayao people from the perspective of cognitive archeology and reveals the historical changes of the ancients’ ideology during the continuation of prehistoric cultural development.