论文部分内容阅读
近年来,对中国新诗的发生学研究越来越重视,概其要,主要向两个方面运思:一种是从社会学、文化学角度探讨中国现代新诗产生的社会文化背景,如新诗和都市文化、新诗与大众传媒、新诗与现代教育等关系,重点追寻新诗的合法性问题、新诗的出版与传播问题和新诗的自我衍生问题;另一种是从诗学理论和诗歌语言视角出发,探讨新诗的理论建设对新诗创作的规约和现代汉语对新诗诗意空间建构的重大意义。二者合力使中国新诗研究突破了新诗作家论和流派论的研究格局,呈现了广阔的学术前景与活力。正是在这样的学术背景中,胡适的新诗创作和新诗理论又一次成为学术研究的焦点,成为梳理新诗发生学的主要场域。
In recent years, more and more attention has been paid to the genesis study of Chinese new poetry, which mainly focuses on two aspects: One is to study the social and cultural background of modern Chinese poetry from the sociological and cultural aspects, such as the new poetry and the city Culture, new poetry and mass media, new poetry and modern education, focusing on pursuing the legitimacy of new poems, the issue of the publication and dissemination of new poems and the self-derivation of new poems; on the other hand, from the perspective of poetics and poetry, The Statute Construction of New Poetry to the Statute of New Poetry Creation and the Significance of Modern Chinese to the Poetic Space Construction of New Poetry. The combination of the two makes the study of new Chinese poetry breakthrough the research pattern of the theory of new poet writers and genres, presenting a broad academic prospect and vitality. It is in this academic background that Hu Shi’s creation of new poems and the theory of new poetry have once again become the focus of academic research and become the main field for combing the genesis of new poetry.