志贺文学中的妻子形象

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He is a representative writer of the Shirakaba school. Active in the Meiji, Taisho,Showa’s literary world. Known as the "God of fiction".There are a lot of research on Shika Naoya, for example, from the "conflict" betweenhim and his father,"harmonious consciousness" of Shika Naoya,"the concept of life anddeath" of Shika Naoya and his literature view.Shika Fumimanabu is known as the "male literature", but, Shika Naoya’s worksportrayed women of no less than the male image, they are an important part of Shiga literature.This paper is to explore the changes of Shiga literature "wife" and "wife" the female image offemale image.This thesis is composed of three parts. The first part is about the Shika Naoya family andliterature. This part introduces Shika Naoya’s life and literary creation. Especially introducesthe different stages of Shiga literature. In the second part, early on Shiga literature as a "fan"of the crime, fan’s wife the female image. On Shiga literature as "good wife" in the middle ofthe image, the wife. The representative of Shiga literature as "anyakoro", around the femaleimage which studies "naoko".The third part discusses image and changing wife image Shigella in literature.All stages of the works of Shika Naoya have their own characteristics. Therefore, thefemale image of each stage is different. Was completely nothing "fan’s wife, husband wife" bypressing and respected. In Shika Naoya’s works, the image of women continue to improve, thefeudal patriarchal oppression is the weakening.
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