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1941年,日军大举全面进攻中国内地,半壁江山沦于敌手;大敌当前,执政的国民党政权依然不忘反共,悍然发动了“皖南事变”。面对这样的政治、社会现实,一批进步文人义愤填膺,创作了大量针砭现实的优秀作品,其中左翼文人领袖郭沫若表现得十分典型。郭沫若以“古为今用”、“以古鉴今”的手法,从1941年到1943年,先后创作了《棠棣之花》、《屈原》、《虎符》、《高渐离》、《孔雀胆》及《南冠草》等影射现实的历史剧。不得不说,抗日战争时期正是郭沫若戏剧创作的高峰期。尽管六部剧的题材不
In 1941, the Japanese aggressively attacked the mainland of China in large scale and half of the country was defeated by the enemy. At present, the ruling Kuomintang regime still did not forget anti-communism and brazenly launched the “incident in southern Anhui.” Faced with such political and social realities, a group of progressive writers were filled with indignation and created a large number of excellent works that acted in accordance with the reality. Among them, Guo Moruo, the leader of the left-wing literati, performed very well. Guo Moruo used the techniques of “ancient and modern as today”, “ancient ancient and modern”, from 1941 to 1943, he created “Flowers of Tang Di”, “Qu Yuan”, “Hu Fu” Gall “and” South crown grass "and other historical drama that reflects the reality. Have to say that during the War of Resistance against Japanese Aggression was exactly the peak of Guo Moruo’s dramatic creation. Although the six drama theme does not