我以为,台湾片《欢颜》至少存在两大致命缺点: 首先是影片机械呆板的结构使人味同嚼蜡。影片中男女主人公各自的遭遇构成了两条情节线索,这种双线型的结构如果处理得错综有致,则影片将别有一番天地。然而遗憾的是,这两条线索竟然过于简单化而且雷同,其过程可概括为:爱情生活—→两人都沉浸于伤侣的痛苦中,用对过去幸福时光的痛苦回忆来消磨自己的青春—→二人相逢,陶醉于新的爱情生活,但由于各自心中的父爱(母爱)被唤醒,这种来自伦理观念的力量,使他们转而搁下爱情,抚育各自的孩子—→由于父女(母子)之爱替代了不少男女爱情,男女主人公又在音乐茶座上相视而笑……同样“巧”得那样简单的还有:男主人公家中有位寡居的母亲,女主人公家中则恰好也有位鳏居的父亲,此二人又有着相同的观点并起着相同的作用,都劝儿子(女儿)忘记过去而续娶(再嫁)——这种机械呆板的双线结构,与色彩斑斓、纷繁复杂的现实生活相去未免太远了。加上配角人物“跑龙套”式的表演,影片似乎时时都在提 In my opinion, there are at least two fatal flaws in the “cheerfulness” of the Taiwanese film. The first is that the mechanical structure of the film makes people feel the same. The story of the hero and heroine in the film constitutes two clues to the plot. If this bi-linear structure is handled in a wrong way, the film will have its own world. Regrettably, however, these two clues are simplistic and identical. The process can be summarized as follows: Love life - Both are immersed in the sorrows of the wounded and spend their bitter memories of the past happy times - → Reunions, intoxicated with a new love life, but because of their father’s love (motherly love) is awakened, this power from ethical ideas, so that they turn aside love, nurturing their children - → As the father Female (mother and son) love to replace a lot of love between men and women, male and female protagonists and music in the cafe on each other’s eyes and laughter ... the same “clever” was as simple as that: there is a widowed mother in the hero’s family, the heroine at home There was also a dwelling father, who both had the same view and played the same role, urging their son (daughter) to forget the past and marrying (remarrying) - a mechanically dull two-wire structure with colors Gorgeous, colorful real life goes too far. Coupled with supporting figures “running the sleeve” type of performance, the movie seems to be mentioning from time to time