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本文试图从钢琴踏板的作用等方面进行论述,并结合十八、十九世纪不同时期最具代表性的作曲家及其作品,进行系统地阐述,分析研究如何更好的运用踏板,表达作曲家的意图和乐曲的最高境界。
This thesis attempts to discuss the function of the piano pedals, and systematically elaborates on the most representative composers and their works in the 18th and 19th centuries, analyzes and studies how to use the pedals better and express composers The highest level of intent and music.