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读了《“四功五法”之我见》(载《戏剧报》1986年第五期,以下简称《见》)一文之后,思考许久,难以苟同。笔者不揣浅陋,愿将自己经常为之思索而时有困惑的一些想法,姑妄言之,还望诸方家指教。唱、做、念、打,习称“四功”,已为公认。“四功”是戏曲表演的四种艺术手段,也是戏曲演员的四种基本功夫。齐如山先生在《中国剧之组织》一书中曾说:“中国剧乃由古时歌舞嬗变而来,故可以歌舞二字概之,出场后一切举动皆为舞。”《见》文指出:京剧
After reading the article entitled “Four Ways and Five Ways of My Opinion” (The Drama Newspaper, Issue 5, 1986, hereinafter referred to as “See”), I have long been thinking hard and can not agree. I do not guess humble, willing to think often for their own time and some puzzled ideas, Gu Roushi, but also hope all Fangjia advice. Sing, do, read, fight, Xi said “four power” has been recognized. The “Four Power” is the four artistic means of opera performance and the four basic skills of opera actors. Mr. Qi Rushan once said in his book “Organization of Chinese Drama”: "Chinese dramas have evolved from ancient times in song and dance, so they can dance and dance. Peking Opera