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在中国现代文学史上,与唯美—颓废主义有关的小说可分为两类:郭文骥、林微音和白荻的小说之唯美—颓废性,其实不脱浪漫—摩登的流行色调,以细腻靡丽见长而失之也轻,甚且不免一般海派文学之“颓加荡”的媚俗格调,较为脱俗而略胜一筹的是谭正璧之作;向培良和李拓之的作品则唯美—颓废感十足,而笔触直逼生命之病态与变态的阴暗面,敢于发掘人性丑与恶的偏至之美,显示出非同一般的深度和近乎“鲁迅风”的力道。
In the history of modern Chinese literature, the novels related to aestheticism and decadence can be divided into two categories: the beauty of decadence of Guo Wenji, Lin Weinin and Bai Di’s novels, but they are actually romantic The loss is also light, and can not help but the general style of the sea school “decadent” of the popular style, more refined and slightly better is the works of Tan Ching-bi; to Peiliang and Li extension of the works is beautiful - decadent sense full , While the stroke strikes the dark side of the morbid state and metamorphosis of life, dare to explore the beauty of human nature ugly and evil, showing the extraordinary depth and near “Lu Xunfeng” strength.