随着我国改革开放的日益深入,城乡对立的二元社会结构逐渐被打破。曾经被土地牢牢控制的农民,开始作为边缘人涌入欲望充斥的都市。以此为题材,当下影坛出现了一系列电影表现这一群体隐忍质朴的气质与品格,但这些电影又不免叙说理想现实碰撞后的人性异化。它们始终围绕沉重的社会矛盾,但又运用反讽为其包裹轻松的外衣;尽管直面草根阶层的生存悲剧,却又以光明的前景来冲淡苦难。这使得在影视作品中,“进城务工者”这一特殊群体呈现出两种形象——要么绝望,要么狂 With the deepening of China’s reform and opening up, the dualistic urban-rural social structure has gradually been broken. The peasants, once firmly controlled by the land, began to flood into the cities of desire as marginalized people. Taking this as a theme, there is a series of cinematic expressions appearing in the current film community to behold the rustic temperament and character, but these films are ineffable to say the alienation of human nature after the collision of ideal reality. They have always centered around heavy social conflicts, but have used irony to wrap up their light garments; despite the tragedy of the survival of the grassroots, they have diluted the suffering with a bright future. This makes the special group in the film and television works, “migrant workers ” presents two images - either desperate or crazy