据民主德国的《德国电影艺术》杂志报道,随着加紧重新武装和变本加历地镇压民主自由,西德的电影制版重心也日益脱离所谓非政治性的消遣影片的轨道,而转向军国主义的、感伤的世界主义的和狂热的沙文主义的道路。这种转变是以军事喜剧片和军事怪诞片开始的。这类影片, As Democrat Germany’s “German film art” magazine reported, West Germany’s filmmaking center increasingly shifted away from the so-called non-political pastime to turn to militarism as it stepped up its efforts to repress and capitalize on the suppression of democracy and freedom. The sentimental cosmopolitan and fanatical chauvinism. This shift began with a military comedy and a military grotesque. Such films,