盆面的艺术处理可以从三个方面着手,即植株的露根、盆面上的整形和必要的点苔。一、露根。我们认为露根不仅仅是为了解决其与“形同插木”的区别,而是盆景造型艺术所必需。因大树或古树经过长年的生长,树根逐渐长粗、长高,露出地面似龙现爪,这是树木生长的必然形象,在盆景制作中要予以艺术地处理。首先,露根应追求整体效果,要与植株的整体形态相呼应。根的分布,疏密、向背等都要合理、恰当,避免过份的提根。不恰当的提根,会使根部形成大小不等的空洞,乍看似乎奇特高明,实际是脱离自然,会变得本末倒置,效果适得其反,使观者只感到局部的根很显眼,但与盆景整体不协调。理想的露根,树根应紧贴盆面,露而不跳,服从于整体的艺术效果。二、盆面整形。作为自然景观提炼和升华的树木盆景也可以借鉴中国山水画中的“皴法”用来表现土石地貌。自然界地貌的外形和表面一般都不是平坦的,而是高低起伏,有 The artistic treatment of the basin can be started from three aspects, namely the rooting of the plant, the shaping of the basin surface and the necessary point mossing. First, Lu root. We think Lugen not only aims to solve the difference between “same shape and woodcut”, but also necessary for bonsai style art. Due to the growth of large trees or old trees for many years, the root of the tree grows thicker and taller, exposing the ground like a dragon and claws. This is an inevitable image of the growth of trees and should be treated artfully in the production of bonsai. First of all, Lugen should pursue the overall effect, and the overall shape of the plant echoes. Root distribution, density, to the back should be reasonable and appropriate, to avoid excessive mention of roots. Inappropriate roots, will make the roots of different sizes of holes, at first glance seems peculiar and clever, the actual is out of nature, will become the cart before the horse, the effect is counterproductive, so that viewers only feel the local roots are conspicuous, but with the overall bonsai Uncoordinated. The ideal root, roots should be close to the basin, dew instead of jumping, subject to the overall artistic effect. Second, basin plastic surgery. The bonsai, which is extracted and sublimated as a natural landscape, can also be used to express the landform in the Chinese landscape painting. The appearance and surface of the natural landscape are generally not flat, but the ups and downs, there