《万寿寺》是他生前写定的最后一部长篇小说,因而许多人也说,《万寿寺》,是迄今为止被小说编辑们认为不可超越的一部小说。《万寿寺》全然不关注故事,叙事本身成了件抒情的事:那篇小说从头到尾回旋不休,营造一种浪漫的旋律——当然不是夹入煽情的文字营造,而是靠叙事的节奏来营造的……总的来说,比较现代的小说家都主张叙事本身大有可为,叙事可以浪漫地运用,就如法国人说的,小说可以诗化。 “Wanshou Temple” was the last piece of novels that he wrote in his lifetime, and many people also said that “Wanshou Temple” is by no means a novel novelist so far considered by novels editors. “Wanshou Temple” totally indifferent to the story, the narrative itself has become a piece of lyrical thing: that novel endlessly from beginning to end, creating a romantic melody - of course, is not caught in the sensational writing, but by the rhythm of narration In general, the more modern novelists advocate the narrative itself is promising, the narrative can be used romantic, as the French said, the novel can be poetic.