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实习剧目教学阶段的关键是导演(即教师)选择适合学生学习的剧本,并通过二度创作诠释剧本,导演一定要有自己独特的构思和独到的创意,并指导演员(学生)创造完整的舞台人物形象,共同完成舞台整体创作。笔者选择了萨特名剧《死无葬身之地》作为实习剧目教学,这意味着将艰难跋涉在整个二度创作和教学中,也即对这部代表萨特哲学思想的剧目开始了艰难的研究。
The key to the internship teaching stage is that the director (or teacher) chooses a script suitable for students’ learning and interprets the script through second-degree creation. The director must have his own unique ideas and original ideas and guide the actors (students) to create a complete stage Character image, to complete the stage overall creation. The author chose Sartre’s play “Death Without Tomorrow” as an intern repertory teaching, which meant that it would be a difficult journey through the second degree creation and teaching, that is to say, it started a difficult task for the repertory represented by Sartre’s philosophy the study.