英国著名女作家简·奥斯丁的作品中,几乎所有女人公的爱情追求都是一波三折,但皆以步入婚姻为喜剧结局,然而奥斯丁本人却终生未婚。本文基于传记批评理论,通过对其作品中女主人公追求婚姻过程的分析来探索奥斯丁内心的情感寄托,借用钱钟书先生的比喻,就是从围城内的世界来关照城外的作家。 In the works of Jane Austen, a famous British woman writer, almost all the women’s love pursuits are twists and turns, but all come into marriage as a comedy ending, but Austin himself is never married. Based on the theory of biographical criticism, this article tries to explore the emotional sustenance of Austin through the analysis of the heroine’s pursuit of marriage in her works. Using the metaphor of Qian Zhongshu, the author cares about writers outside the city from the inner city.