川端康成小说形成一种极为相似的叙事模式:以男性作为角心人物,他的感知成为小说的叙述角度,以女性作为其艺术呈现的视域选择,男性是意义的发展者与赋予者,女性及其特点成为意义的载体。这种叙事模式极为特殊,既吸收了西方现代小说的先锋叙述技巧(采用“内视点”的叙述方式及淡化情节结构的叙述技巧),又融入了日本传统的叙述方式、结构特点、审美取向,因而具有丰厚的民族文化意蕴。 Kawabata Yasunari’s novels formed a very similar narrative pattern: taking men as the center of the heart, his perception became the narrative point of view of the novel, the visual choice of women as their art, the development and gratification of men as meaning, And its characteristics become the carrier of meaning. This narrative model is very special. It not only absorbs the vanguard narrative skills of the modern western novels (adopts the narrative method of “inner point of view ” and desalinates the narrative skill of the plot structure), but also incorporates the traditional Japanese narration style, structural features, Orientation, which has a rich national culture.