这里有对逝去情怀的追记,有对宇宙洪荒的诗性咏叹,更多的则是对现世尘嚣、世俗文化的诘问、质疑与批判,由此形成了当代水墨画在审美功能上的邀进品质。历经近百年的争争吵吵。中国画发展至今,还是形成了多元并举的基本格局。尤其是被指称为“非传统”或“现代水墨”“实验水墨”等名谓的当代水墨画(本 There is a catch-memorial for passing feelings, a poetic chant for the prehistoric universe, and more questions, doubts and criticisms of the world’s hubbub, secular culture, thus forming an invitation to contemporary aesthetic quality. After nearly a century of argument noisy. Since the development of Chinese painting so far, it has also formed the basic pattern of pluralism simultaneously. In particular, contemporary contemporary ink paintings (“Contemporary”), which are alleged to be “non-traditional” or “modern ink” “experimental ink”