对作品的形式美感给予特殊关注是张大千书法的重要特征之一。其书法结体夸张,左低右昂,点画跳跃,糅合篆、隶、行、草诸书体,这使其兼具方圆、疾涩、粗细、疏密、干湿、浓淡、飘逸、谨严、瘦健、圆润、险峻等多种形态于一体,这几乎调动了书法创作与欣赏中所有能够调动的视觉因素。在对张大千书法的实际研究过程中,有关学者的兴趣点往往集中在对其师承、源流、“大千体”的形成及特点等方面,而对其形式美感的关注却很少。实际上,张大千书法形式美感的诸多特点、形成原因及其意义都具有深入探讨的必要性,这对我们更全面地理解张大干的书画艺术很有助益。 One of the important features of Zhang Daqian’s calligraphy is his special attention to the formal beauty of his works. Its calligraphic knot exaggerated, the left low right Ang, point and draw jump, blend Zhuan, Li, line, grass all sorts of book body, this makes it both the radius, the astringent, the thickness, the density, the wetness, the shade, the elegant, Thin, rounded, steep and many other forms in one, which almost mobilized calligraphy creation and appreciation of all the visual elements that can be mobilized. In the process of the actual research on Zhang Daqian’s calligraphy, the interest points of the scholars are often focused on the formation and characteristics of their teachers, origins, and “great bodies”, while their interest in formal beauty is very few. In fact, the many characteristics, forming reasons and their meanings of Zhang Daqian’s calligraphic aesthetic style have the necessity of further exploration. This is very helpful for us to understand Zhang Dagan’s painting and calligraphy art more fully.