“太白醉写”是一出著名的昆剧折子戏,近世海派名家俞振飞以擅演此剧著称。上溯昆剧史,则发现该剧流行已久,在昆剧兴盛的明万历到清康乾之际,曾相继诞生了数种“太白醉写”戏,分别为:屠隆《彩毫记》第十三出《脱靴捧砚》;吴世美《惊鸿记》第十五出《学士醉挥》;孙郁《天宝曲史》第十一出《醉草》;戏曲选本《缀白裘》三集卷二《彩毫记》之《吟诗》、《脱靴》。以上数种“太白醉写”戏,出自不同身份的作者之手,风格旨趣各异,流播的命运也相去甚远。此间情形,或许能够反映出中国传统戏曲的某些固有特征与规律,值得我 “Too awesome writing ” is a famous Kunqu opera blockbuster opera, modern genre Yu Zhenfei known for playing this drama. Tracing the history of Kun Opera, we found that the play has long been popular in the prosperous period of Kunming Opera to the Qing Emperor Kangxi dry occasion, have been born a few kinds of “too drunk” writing, respectively: Tu Long “ ”Thirteenth out of boots“; Wu Shimei ”Jinghong Kee“ fifteenth ”Bachelor drunk“; Sun Yu ”Tianbao history“ Eleventh ”drunk grass“; drama selected ”white Qiu “three volumes two” color mill remember “of” poetry “,” off boots. “ These kinds of ”too drunk drunk " show, from the hands of different authors of different styles, different tastes, the fate of the broadcast is also a long way from. This situation may reflect some of the inherent characteristics and laws of traditional Chinese opera, and it deserves me