仇英是明代中叶吴门画派的代表人物,也是流芳后世的“明四家”之一,其山水画兼蓄工笔、意笔之妙,以工笔技艺作工整凝练的游走与静雅幽洁的布局,又以意笔填色进行鲜妍明莹的画面涂染,使得其山水画的艺术风格自成一派。本文立足于仇英山水画画作的综合品赏,分别从笔法技艺、构图布局以及设色表现三个方面鉴析了其山水画的艺术风格。 Qiuying is the representative of Wu Men School in the middle of the Ming Dynasty and one of the “Ming Four” of the later generations of Liu Fang. His landscape painting is a masterpiece of penmanship and elaboration, The layout of the painting, but also to fill the color pen with bright Yan Ming Ying Tu paint, making the art of landscape painting from one school to another. Based on the comprehensive relics of Qiuying landscape painting, this paper analyzes the artistic style of landscape painting from the aspects of brushwork, composition and layout.