从文字观到书法观古人对书法艺术的基本认识与论说导源于文字学,并集中体现在东汉许慎所著《说文解字叙》,以及其他文献的相关记载上面。至于从文字观到书法观的转化所借助的理论知识则包罗甚广,举几《周易》、儒家学说、道家思想中关于自然、社会、文化、哲学、政治、伦理等与文字书法可以联系者,均在其中,又以“形而上”的认知方式和“道”的归属最为突出。古代书法具有起点高,见解深刻并富于哲理与文化精神的特点,即权舆于此。哲理阐释 From the concept of writing to the concept of calligraphy, the ancients’ understanding and theory of calligraphy originated from the study of calligraphy. They are mainly embodied in the narration of Shuo Wen Jie Zi written by Xu Shen in the Eastern Han Dynasty and the related records of other documents. As for the transformation from the concept of writing to the concept of calligraphy, there are a lot of theoretical knowledge to be used in connection with the calligraphy of nature, society, culture, philosophy, politics, ethics and other writings in the Book of Changes, Confucianism and Taoism , Are among them, and the most prominent is the “metaphysical” cognitive style and the “Tao” attribution. Ancient calligraphy has a high starting point, insightful and rich in philosophy and cultural characteristics of the spirit, that is, where the public opinion. Philosophical explanation