粤曲艺术博大精深,其音乐的构成,与弋阳腔、昆腔、梆子腔和皮黄腔的传入,有着紧密的关系,经过历代艺术家们的不断发展和改良,将粤语方言与音乐融汇,形成了具有广东特色和艺术风格的地方戏曲。丰富多彩的粤曲艺术,熏陶了我的孩提时代,使我在录制工作中能不断累积经验,并把这经验运用到戏曲的创作中,在不同年代有着不同时期的审美观。我认为 Cantonese opera is broad and profound, and the composition of the music is closely related to the introduction of Yiyang chamber, Kun chamber, Bangzi chamber and Huangpi chamber. Through the continuous development and improvement of artists in the past generations, Cantonese dialects and music converge to form a musical composition with Cantonese specialties and artistic styles of local opera. Colorful Cantonese opera has nurtured my childhood and enabled me to continue to accumulate experience in the recording work. I also applied this experience to the creation of drama, which has different ages of aesthetics in different ages. I think