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当前,关于婚恋电视剧家庭关系的研究多基于法律学、社会学范畴,而且大多都是从背叛者背叛婚姻的原因进行分析,亦或是单独的从婚姻受害者一方的利益进行探讨,很少从剧中丈夫、妻子及第三者三方面进行探究。一、婚姻背叛者:丈夫传统文化中,我们一直强调三纲,即“君为臣纲、父为子纲、夫为妻纲”的伦理秩序,尤其是夫为妻纲。创作者受这种传统思想的影响,在男性形象设计上也将这种性别意识融入其中。创作者所刻画的男性大多阳刚,拥有慷慨的品
At present, the research on the family relations of love and romance plays is mostly based on jurisprudence and sociology. Mostly, it is analyzed from the reasons why betrayers betrayed the marriage, or separately from the interests of one side of the victims of marriages. In the play, the husband, wife and the third party explore. First, the marriage betrayal: the husband of traditional culture, we have always stressed that the three programs, that is, “the monarch for the Gang, the father is a child, husband husband and wife Gang” ethical order, especially husband husband wife Gang. Influenced by this traditional thinking, creators also incorporate this gender consciousness in the design of male images. Most of the masculine portrayals of masculinity are masculine and generous