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在我们欣赏戏曲艺术时,首先会被情节的发展和华丽的形式美所吸引。但是,又很快地会发现:在那婉转多变的声腔中,字字珠矶的“白口”里和细腻传神的表演舞做中,有一种可见而不易言的“幽灵”把我们箝制。它,就是本文所要提出的:洋溢在形式美以外,深潜在演员、角色、行当、情感和个性之中的,无时不通过特殊体验显现出来的,中国戏曲表演艺术中的韵律。这种韵律,是在戏曲表演、动作、身段、武打、舞蹈诸表演因素差异中透出的同一性质。
When we enjoy the art of opera, we will first be drawn to the development of the plot and the gorgeous formal beauty. However, it soon turns out that there is a visible and unobtrusive “ghost” that holds us in the midst of the melodious voice, the “white mouth” of the word jewels, and the delicate, expressive dance . It is what this article puts forward: The rhythms in performing arts of Chinese traditional operas that emerge from time to time through the special experiences that permeate the deep potential actors, roles, deeds, emotions and personalities beyond formal beauty. This rhythm is the same character that is revealed in the differences between the performance elements, movements, figure, martial arts and dance performances.