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《全清散曲》所收无名氏《浇墓》套曲,又被《增订六也曲谱》作为明末吴炳《疗妒羹》传奇的一出所采录,本文以确凿的材料证实《浇墓》为剧曲,其作者系乾隆时的沈清瑞。在名家剧作中融入艺人俗创或吸收他人作品,以弥补原作的某些缺陷,这是我国戏曲史上的一个独特的艺术现象。尤其是乾隆以降,昆曲进入折子戏演出时代,这种现象更为突出,值得深入探讨和研究。
The Complete Works of Qu Qing collected anonymous “pouring the tomb” sets of songs, but also by the “additional six music score” as the Ming Wu Bing “treatment jealous soup” one of the legendary recorded by the conclusive material confirmed “pouring the grave” as a drama Qu, the author of Qianlong when Qianlong. It is a unique artistic phenomenon in the history of Chinese operas that we should integrate the vulgar creation of artists or absorb others’ works to make up for some defects of the original works. Especially when Qianlong was down and Kunqu opera entered the stage of performance play, this phenomenon is more prominent and worthy of further discussion and research.