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高句丽的文化归属问题是高句丽历史文化学的薄弱环节。从高句丽壁画墓四神图像的文化考察入手 ,深入揭示其四神图像的文化渊源于中华古老的天文学与神话学 ,其壁画属于中国古老神话的综合体 ,四神图像的文化功能在于护送亡者升天。在西汉壁画墓与高句丽壁画墓的比较中揭示出二者属于一个共同的历史文化体系 ,对高句丽的中华文化归属问题作出明确的判断。
Goguryeo’s cultural ownership is the weak link of Koguryo’s history and culture. Beginning with the cultural investigation of the images of the four gods in the mural tombs of the Kogury 丽, it deeply reveals that the culture of the images of the four gods originated from the ancient Chinese astronomy and mythology. The murals belong to the complex of Chinese ancient myths. The cultural function of the four gods images lies in escorting the dead . The comparison between the Western Han mural tombs and the Koguryo mural tombs reveals that the two belong to a common historical and cultural system and make a clear judgment on the issue of Goguryeo’s Chinese culture.