论文部分内容阅读
艺术家说要创作有学术性的东西,批评家说没有学术性的作品不是好作品,市场说要抓住那些有学术性的作品,藏家也说只有学术性的东西才值得收藏,而送入到理论研究、历史研究的学者则更强调没有学术性的东西是不值得花精力研究的。学术性需要时间距离来发现,学术性不是固定模式,但进入被言说、被分析、被研究的程序时,学术性可能就发生了。但如何言说中国当代艺术的学术性,成为乱中之乱(大量出版物有市场营销策略、强作说辞之嫌);正像三鹿牛奶倒掉了、但如何重建国产奶的信心成为大问题一样,如何确立当代艺术的学术立场和公信力也是大问题之一。
Artists say they want to create academic stuff. Critics say no academic work is not a good work. The market says it is necessary to seize the academic works. Collectors also say that only academic things are worth collecting and sent To the theoretical research, historians have emphasized that there is no academic thing is not worth the effort to study. Academic needs time to find out, academic is not a fixed pattern, but entered the speech was analyzed and studied the program, the academic may happen. However, how to talk about the academic nature of contemporary Chinese art has become a chaos of chaos (a large number of publications have a marketing strategy that is too strong to argue); just as Sanlu milk has been drained but confidence in rebuilding domestic milk has become a big issue Similarly, how to establish the academic position and credibility of contemporary art is also one of the major issues.